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・ Jean-Jacques Meyer
・ Jean-Jacques Millant
・ Jean-Jacques Milteau
・ Jean-Jacques Mirassou
・ Jean-Jacques Missé-Missé
・ Jean-Jacques Moreau
・ Jean-Jacques Mounier
・ Jean-Jacques N'Domba
・ Jean-Jacques Nattiez
・ Jean-Jacques Nkouloukidi
・ Jean-Jacques Olier
・ Jean-Jacques Origas
・ Jean-Jacques Paulet
・ Jean-Jacques Pauvert
・ Jean-Jacques Pelletier
Jean-Jacques Perrey
・ Jean-Jacques Petter
・ Jean-Jacques Pierre
・ Jean-Jacques Pignard
・ Jean-Jacques Pillot
・ Jean-Jacques Quisquater
・ Jean-Jacques Rebière
・ Jean-Jacques Renouard de Villayer
・ Jean-Jacques Reubell
・ Jean-Jacques Rocchi
・ Jean-Jacques Rousseau
・ Jean-Jacques Rousseau (author-filmmaker)
・ Jean-Jacques Scherrer
・ Jean-Jacques Schuhl
・ Jean-Jacques Sempé


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Jean-Jacques Perrey : ウィキペディア英語版
Jean-Jacques Perrey

Jean-Jacques Perrey (; born January 20, 1929) is a French electronic music producer and was an early pioneer in the genre. He is best known within the sphere of popular music as a member of the influential electronic music duo Perrey and Kingsley, and for his unusually light-hearted style of music.
==Biography==
Perrey was born in France in 1929. He was studying medicine in Paris when he met Georges Jenny, the inventor of the Ondioline. Quitting medical school, Perrey travelled through Europe demonstrating this keyboard ancestor of the modern synthesizer. At the age of 30, Perrey relocated to New York, sponsored by Caroll Bratman, who built him an experimental laboratory and recording studio. Here he invented "a new process for generating rhythms with sequences and loops", utilising the environmental sounds of "musique concrète." With scissors, splicing tape, and tape recorders, he spent weeks piecing together a uniquely comique take on the future. Befriending Robert Moog, he became one of the first Moog synthesiser musicians, creating "far out electronic entertainment". In 1965 Perrey met Gershon Kingsley, a former colleague of John Cage. Together, using Ondioline and Perrey's loops, they created two albums for Vanguard — ''The In Sound From Way Out'' (1966) and ''Kaleidoscopic Vibrations'' (1967). Perrey and Kingsley collaborated on sound design for radio and television advertising. Perrey returned to France, composing for television, scoring for ballet, and continuing medical research into therapeutic sounds for insomniacs.

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